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But, after all, fortune was merciful, and I was gone; the Major had summoned me--his brother had come. I went circuitously and alone. As I started, some fellow writhing on the grass cried, "Charlie Tol--oh, this is better than a tcharade!" and a flash of divination enlightened me. While I went I burned with shame, rage and nervous exhaustion; the name Scott Gholson had gasped in my ear was the name of her in the curtained wagon, and I cursed the day in which I had heard of Charlotte Oliver.

Once more we were in the by-road which had brought us westward parallel with the highway. The prisoner drove. Aunt Martha sat beside him, slim, dark, black-eyed, stately, her silver-gray hair rolled high à la Pompadour. With a magnanimity rare in those bitter days she incited him to talk, first of New Orleans, where he had spent a month in camp on one of the public squares, and then of his far northern home, and of loved ones there, mother, wife and child. The nieces, too, gave a generous attention. Only I, riding beside the hind wheels, held solemnly aloof.

Yet great is precept. Precept is a well. Up from its far depths by slow, humble, constant process you may draw, in a slender silver thread, and store for sudden use, the pure waters of character.

Dolt that I was, I would have drawn her close, but she put me off with an outstretched arm and forbidden smile. "No!--No! this is a matter of life and death."

I laughed a gay disdain. "Who is Lucius; is he Charlotte's husband?"

"You have no carbine," said my commander. "And you have but one revolver; here is another."

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