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"What, a leather-curtained spring-wagon?"

I turned upon her choking with anger, but her melting beauty rendered me helpless. Black woods were on our left. "Shall we turn in here?" I asked.

"Is this the conservatory?" playfully whispered Miss Rothvelt; and if a hot, damp air, motionless, and heavy with the sleeping breath of countless growths could make it so, a conservatory it was. Every slightest turn had to be alertly chosen, and the tangle of branches and vines made going by the stars nearly impossible. The undergrowth crowded us into single file. We scarcely exchanged another word until our horses came abreast in the creek and stopped to drink. Conditions beyond were much the same until near the end of our détour, when my horse swerved abruptly and the buzz of a rattlesnake sounded almost under foot. The mare swerved, too, and hurried forward to my horse's side.

I was met in the bare unpainted hall by a dropsical man of nearly sixty, holding a dim candle, a wax-myrtle dip wrapped on a corncob. He had a retreating chin, a throat-latch beard and a roving eye; stepped with one foot and slid with the other, spoke in a dejected voice, and had very poor use of his right hand. I followed him to the rear corner chamber, the one nearest the stable, feeling that, poor as the choice was, I should rather have him for my robber and murderer than those villains down at the quarters. I detained him in conversation while I drew off my boots and threw my jacket upon the back of a chair in such a way as to let my despatch be seen. The toss was a lucky one; the document, sealed with red wax, stuck out arrogantly from an inside pocket. Then, asking lively questions the while as if to conceal a blunder and its correction, I moved quickly between him and it and slipped the missive under a pillow of the fourpost bedstead.

"Of course no one has seen this despatch, eh?--Oh!"--a smile--"yes? who?"

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