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"I suppose we might call him a romanticist," said I, "might we not?"

She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

As I say, I slept. The door between me and the hall had a lock, but no key; another door, letting from my room to the room in front of it, had no lock, but was bolted. I slept heavily and for an hour or more. Then I was aware of something being moved--slowly--slyly--by littles--under my pillow. The pillow was in a case of new unbleached cotton. When I first lay down, the cotton had so smelt of its newness that I thought it was enough, of itself, to keep me awake. Now this odor was veiled by another; a delicate perfume; a perfume I knew, and which brought again to me all the incidents of the night, and all their woe. I looked, and there, so close to the bedside that she could see my eyes as plainly as I saw hers, stood Coralie Rothvelt. In the door that opened into the hall were two young officers, staff swells, in the handsomest Federal blue. The moonlight lay in a broad flood between them and me. It silvered Miss Rothvelt from the crown of her hat to the floor, and brightened the earnest animation of her lovely face as she daintily tiptoed backward with one hand delicately poised in the air behind her, and the other still in the last pose of withdrawing from under the pillow--empty!

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