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"Don't interrupt me, Smith. Yes, Clifton. You're not to reach there to-night--"

That piece of a word was scored out and "dangers" written in its place. The missive ended all too soon, with the statement that I was requested to call, on my way out of camp, at the side gallery of the house-- Sessions's--and let the writer and her sister and her cousin and her father and her aunt see me in my new uniform and bid me good-bye.

She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

"Oh! And where is the battery?"

"Well, I reckon I'll stop all night." I began to move on. His eyes followed greedily.

"Ah, he is, I doubt not, but the burnt-out ruin of what he was half a year ago. You perceive, he has not succeeded; he has not devoured her; actually she has turned his fangs upon himself and has defeated his designs toward her as if by magic. And yet the only magic has been her vigilance, her courage, her sagacity. Smith,"--again he stroked the mane of his charger--"if I tell you--"

"Oh!--yes, that is what she would call it; but me, I say--though not as Gholson would mean it, you know,--she has a soul to save. If it is a game, it is a very delicate one; let her play it as nearly alone as she can." "Yes," said I, "a man's hand in it would be only his foot in it;" and Ferry was pleased. He scanned me all over in the same bright way he had done it in the morning, and remarked "This time I see they have given you a carbine."

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