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"Who, me? Oh!--I--I admire Ned Ferry--for a number of things. He's more foolhardy than brave; he's confessed as much to me. Women call him handsome. He sings; beautifully, I suppose; I can't sing a note; and wouldn't if I could. Still, if he only wouldn't sing drinking-songs --but, Smith, I think that to sing drinking-songs--and all the more to sing them as well as some folks think he does--is to advocate drinking, and to advocate drinking is next door to excusing drunkenness!"

My silence implied that I knew it, though I did not feel any brighter, happier or cleaner.

"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

"I surrender," he said, with amiable ease. I stepped back a pace and he drew out and straightened up--the tallest man I had ever seen. I laughed, he smiled, laughed; my eyes filled with tears, I blazed with rage, and in plain sight and hearing of those ladies he said, "That's all right, my son, get as scared as you like; only, you don't need to cry about it."

Yet great is precept. Precept is a well. Up from its far depths by slow, humble, constant process you may draw, in a slender silver thread, and store for sudden use, the pure waters of character.

"Tell her I tried to keep my promise to her."

"You sa-ay 'Whah is it?'--ow batt'ry"--he champed noisily--"I dunno. Does you? Whah is it?"

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