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Even in the character of the goods there was eloquence, and not a drollery in the scene, not even an ugliness, but was touched, was rife, with the woe of a war whose burning walls were falling in on us. And outward, too, upon others; a few up-ended cottonbales leaned against each other ragged and idle, while women and babes starved for want of them in far-away Lancaster.

There was a hush of attention among them as the lieutenant and I saluted. His left hand was gone at the wrist and the sleeve pinned back on itself. He asked my name; I told him. In the car there was a stir of deepening interest. I inquired if he was the post-quartermaster here. He was.

"Why, what does all this mean?" asked Miss Harper amid her nieces' cries.

"No," he said, but Ned Ferry had lately restored to him, by proxy, some lost letters, with an invitation to come and see him.

The note of patriotism righted me and I looked a third time. The one art of dress worth knowing in '63 was to slight its fashions without offending them, and this pretty gift I had marked all day in the Harpers. But never have I seen it half so successful as in the veiled horsewoman illumined by the side-lights of those burning fence-rails. The white apparition at the veranda's edge gleamed in my mind, yet swiftly faded out, and a new fascination, more sudden than worthy heaved at my heart. Then the fire was behind us and we were in the deep night.

I covered it fiercely and sunk my brow upon it. And thereupon the wave of folly drew back, and on the bared sands of recollection I saw, like drowned things, my mother's face, and Gholson's and the General's, and Major Harper's, and Ned Ferry's, and Camille's. Each in turn brought its separate and peculiar pang; and among those that came a second time and with a crueler pang than before was Camille's.

"My mother! Do you know my mother?"

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