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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

Once more we were in the by-road which had brought us westward parallel with the highway. The prisoner drove. Aunt Martha sat beside him, slim, dark, black-eyed, stately, her silver-gray hair rolled high à la Pompadour. With a magnanimity rare in those bitter days she incited him to talk, first of New Orleans, where he had spent a month in camp on one of the public squares, and then of his far northern home, and of loved ones there, mother, wife and child. The nieces, too, gave a generous attention. Only I, riding beside the hind wheels, held solemnly aloof.

"I tell her as a friend," he said, "she'll get one into Fortress Monroe yet!"

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