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"How on earth should I know?"

"Now, here is another matter of much more importance." He showed, but retained, another envelope. "Behind the house where you're to find Miss Rothvelt there's a road into Cole's Creek bottom. The house you're to stop at to-night, say from twelve o'clock till three or half-past, is on that road, about five miles from Wiggins, from Clifton and from Fayette. I'm sending you there expecting the people in that house will rob you if you give them half a chance."

Through the open windows we could see the dancers. Now and then a pair of fanning promenaders came down the veranda, but on descrying us turned back. I said I was keeping her from the dance. To which she replied, drooping her head again, that she shouldn't dance that night.

I sat on the edge of the bed, in the moonlight, wishing I knew what their way was. I considered my small stock of facts. The one that appalled me most was the inward guilt which I brought with me to this ordeal. I wanted to say my childhood prayers and I could not. For I could not repent; at least the emotion of repentance would not come. Moreover, every now and then there leapt across this blackness of guilt a forked lightning of fright, as I realized that I could no more plan than I could pray. No doubt Coralie Rothvelt, by this time in Fayette, was telling some Federal commander that a certain Confederate courier, now asleep at the house of Lucius Oliver, had let slip to her the fact that his despatches were written to be captured, and that, read with that knowledge, they would be of guiding value. What mine host himself might have in view for me I could not guess, but most likely those three rapscallions down at the quarters were already plotting my murder. So now for a counterplot--alas! the counterplot would not unfold for me!

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