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"Poor boy!" said the aunt. "It's the first line you've had for months. Your sweet mother wrote, but her letters were all intercepted, and the last time she was warned that next time she'd be dealt with according to military usage! I'm glad we could give you this one at once. We can't give you the uniform, for we--why, girls, what--why, what nonsense!"

The three of us pattered out of the stream abreast. "No trouble," replied the sergeant, "it wouldn't take half a minute."

These four were charmed with an old field given up to sedge, its deep rain-gullies as red as gaping wounds, its dead trees in tatters of long gray moss. Estelle became a student of flowers, Cécile of birds, Camille of trees. All my explanations were alike enchantingly strange. To their minds it had never occurred that the land sloped the same way the water ran! When told that these woods abounded in deer and wild turkey they began to look out for them at every new turn of the road. And the turns came fast. Happy miles, happy leagues; each hour was of a mellower sweetness than the last; they seemed to ripen in the sun. The only drawback was my shame of a sentimental situation, but once or twice I longed to turn the whole equipage into the woods--or the ditch. As, for instance, when three pine-woods cavalrymen had no sooner got by us than they set up that ribald old camp-song,

I went to Gholson. He told me I was relieved of my captive and bade me go care for my horse and return in half an hour. In going I passed close by the Sessions plantation house. Every door and window was thrown wide to the night air, and preparations were in progress for a dance; and as I returned, a slave boy ran across my path, toward the house, bearing a flaming pine torch and followed by two ambulances filled with daughters of the neighborhood in clouds of white gauze. I found the General in fatigue dress. His new finery hung on the tent-pole at his back. Old Dismukes, the bull-necked colonel of the Arkansans, lounged on a camp-cot. Both smoked cigars.

I thought I did until I glanced at the superscription: Miss Coralie Rothvelt.

"Don't move." My tone was affectionate. "Don't holla, or I'll give you to the crows. Back. Back off this bridge--quick! or I'll--" I pushed the pistol nearer; the danger was no less to him because I was thoroughly frightened. He backed; but he glared a devilish elation, for behind me beat the hoofs of both his horsemen. I had to change my tactics.

"His name is Oliver."

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