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Midway of this space I met Scott Gholson, clerk to the Adjutant-general. It was Gholson who had first spoken of me for this detail. He was an East Louisianian, of Tangipahoa; aged maybe twenty-six, but in effect older, having from birth eaten only ill-cooked food, and looking it; profoundly unconscious of any shortcoming in his education, which he had got from a small church-pecked college of the pelican sort that feed it raw from their own bosoms. One of his smallest deficiencies was that he had never seen as much art as there is in one handsome dinner-plate. Now, here he was, riding forth to learn for himself, privately, he said, why I did not appear. Yet he halted without turning, and seemed to wish he had not found me.

She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat.

She came without her horse, pointing eagerly at the brightness of the sky above the unrisen moon. "Diana!" she whispered, and tossed a kiss toward it. "You saw me put the mare into the stable and go into the house by the back door?"

I halted; not making a point of valor or discretion, but because he was Charlotte Oliver's husband. I read his purpose and listened behind me as we parleyed. "Don't halt me, sir, I'm a courier and in a hurry."

"No, it was here, but yesterday, when the fighting threatened to be heavy, it was sent to the front. Smith, I didn't know Charlie Tolliver was here!"

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