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"Well,--yes,--he--he is,--with some."

To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence.

"I--I believe it yet! You are Charlotte Oliver!"

"And was care for me your only motive in--"

"It's twenty miles off; why are you not with it? What are you doing here?"

The dwelling was entirely dark. I came close in the bright moonlight and hallooed. At my second hail the door came a small way open, and after a brief parley a man's voice bade me put up my horse and come in. The stable was a few steps to the right and rear. Returning, I took care to notice the form of the house: a hall from front to rear; one front and one rear room on each side of it; above the whole a low attic, probably occupied by the slave housemaids.

"Now it must be three." Miss Rothvelt's writing lay in my bosom beside my despatch. At each half-hour I re-read it. At three-and-a-half I happened to glance at the original superscription. A thought flashed upon me. I stared at her name, and began to mark off its letters one by one and to arrange them in a new order. I took C from Coralie and h from Rothvelt; after them I wrote a from Coralie and r from Rothvelt, l and o from Coralie and two t's and an e from Rothvelt, and behold, Charlotte! while the remaining letters gave me Oliver.

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