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"Yes, bub," I replied. The two men laughed so explosively that my horse lifted his head austerely.

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"Why, I suppose I'm to find there a road down Cole's Creek to Clifton."

I had not the faintest doubt she was lying. What was I to her? The times were fearfully out of joint; women as well as men were taking war's licenses, and with a boy's unmerciful directness I sprang to the conclusion that here was an adventuress. Yet I had some better thoughts too. While I felt a moral tipsiness going into all my veins, I asked myself if it was not mainly due to my own inability to rise in full manliness to a most exceptional situation. Her jaunty method of confronting it, was I not failing to regard that with due magnanimity? Was this the truth, or after all ought I really to see that at every turn of her speech, by coy bendings of the head, by the dark seductions of dim half-captive locks about her oval temples, and by many an indescribable swaying of the form and of the voice, I was being--to speak it brutally--challenged? Even in the poetic obscurity of the night I lost all steadiness of eye as I pertly said--

All I got by looking then was a mellow laugh from behind her relowered veil; but we were going at a swift trot, nearing a roadside fire of fence-rails left by some belated foraging team, and as she came into the glare of it I turned my eyes a second time. She was revealed in a garb of brown enriched by the red beams of the fire, and was on the gray mare I had seen that morning under Lieutenant Edgard Ferry-Durand.

The note of patriotism righted me and I looked a third time. The one art of dress worth knowing in '63 was to slight its fashions without offending them, and this pretty gift I had marked all day in the Harpers. But never have I seen it half so successful as in the veiled horsewoman illumined by the side-lights of those burning fence-rails. The white apparition at the veranda's edge gleamed in my mind, yet swiftly faded out, and a new fascination, more sudden than worthy heaved at my heart. Then the fire was behind us and we were in the deep night.

"Hmm; Charlotte Oliver. Are you sure you have the name just right?"

"Don't move." My tone was affectionate. "Don't holla, or I'll give you to the crows. Back. Back off this bridge--quick! or I'll--" I pushed the pistol nearer; the danger was no less to him because I was thoroughly frightened. He backed; but he glared a devilish elation, for behind me beat the hoofs of both his horsemen. I had to change my tactics.

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