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"I don't believe you! I don't believe you ever had cause for one!" She laid a hand again upon mine.

"Is this the conservatory?" playfully whispered Miss Rothvelt; and if a hot, damp air, motionless, and heavy with the sleeping breath of countless growths could make it so, a conservatory it was. Every slightest turn had to be alertly chosen, and the tangle of branches and vines made going by the stars nearly impossible. The undergrowth crowded us into single file. We scarcely exchanged another word until our horses came abreast in the creek and stopped to drink. Conditions beyond were much the same until near the end of our détour, when my horse swerved abruptly and the buzz of a rattlesnake sounded almost under foot. The mare swerved, too, and hurried forward to my horse's side.

I laughed a gay disdain. "Who is Lucius; is he Charlotte's husband?"

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

I halted; not making a point of valor or discretion, but because he was Charlotte Oliver's husband. I read his purpose and listened behind me as we parleyed. "Don't halt me, sir, I'm a courier and in a hurry."

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