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"Yes," I responded, "and without even waiting for Diana."

Unluckily she retorted with some playful parry that just lacked the saving quality of true resentment. How I rejoined would be small profit to tell. I had a fearful sense of falling; first like a wounded squirrel, dropping in fierce amazement, catching, holding on for a panting moment, then dropping, catching and dropping again, down from the top of the great tree where I had so lately sat scolding all the forest; and then, later, with an appalling passivity. And at every fresh exchange of words, while she laughed and fended, and fended and laughed, along with this passivity came a yet more appalling perversity; a passivity and perversity as of delirium, and as horrid to her as to me, though I little thought so then.

The dwelling was entirely dark. I came close in the bright moonlight and hallooed. At my second hail the door came a small way open, and after a brief parley a man's voice bade me put up my horse and come in. The stable was a few steps to the right and rear. Returning, I took care to notice the form of the house: a hall from front to rear; one front and one rear room on each side of it; above the whole a low attic, probably occupied by the slave housemaids.

"What's that about the horse?--The horse might git away and be evidence ag'inst us?--What?--Oh, now give the true reason; you want the horse, that's all! You two lickskillets air in this thing pyo'ly for the stealin's. Me and my son ain't bushwhackers, we're gentlemen! At least I'm one. Our game's revenge!"

I halted; not making a point of valor or discretion, but because he was Charlotte Oliver's husband. I read his purpose and listened behind me as we parleyed. "Don't halt me, sir, I'm a courier and in a hurry."

"His name is Oliver."

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