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Headquarters, we heard from a courier who said he was the third sent out to find us, were at the "Sessions house" two miles further on. We sent him galloping back there, and after a while here came Major Harper and three or four others of the staff, including Harry Helm. What a flood of mirthful compliment there was at sight of us and our captive; Harry was positively silly. In the series of introductions that followed he was left paired with Camille, and I said things to myself. Major Harper rode by the prisoner. "Well, Captain," he said, "you've had some experiences since you left me this morning. Don't you want to give us your parole this time, temporarily, for an hour or so, and be more comfortable?"

"Right!" She laughed. "I wish a woman could choose that way. Oh! if you'll do that I'll go with you and stand guard over you!"

As I say, I slept. The door between me and the hall had a lock, but no key; another door, letting from my room to the room in front of it, had no lock, but was bolted. I slept heavily and for an hour or more. Then I was aware of something being moved--slowly--slyly--by littles--under my pillow. The pillow was in a case of new unbleached cotton. When I first lay down, the cotton had so smelt of its newness that I thought it was enough, of itself, to keep me awake. Now this odor was veiled by another; a delicate perfume; a perfume I knew, and which brought again to me all the incidents of the night, and all their woe. I looked, and there, so close to the bedside that she could see my eyes as plainly as I saw hers, stood Coralie Rothvelt. In the door that opened into the hall were two young officers, staff swells, in the handsomest Federal blue. The moonlight lay in a broad flood between them and me. It silvered Miss Rothvelt from the crown of her hat to the floor, and brightened the earnest animation of her lovely face as she daintily tiptoed backward with one hand delicately poised in the air behind her, and the other still in the last pose of withdrawing from under the pillow--empty!

It was the envelope which had contained Coralie Rothvelt's pass. Its four flaps were spread open, and on the inside was scrawled in a large black writing the following:

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