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To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence.

The note of patriotism righted me and I looked a third time. The one art of dress worth knowing in '63 was to slight its fashions without offending them, and this pretty gift I had marked all day in the Harpers. But never have I seen it half so successful as in the veiled horsewoman illumined by the side-lights of those burning fence-rails. The white apparition at the veranda's edge gleamed in my mind, yet swiftly faded out, and a new fascination, more sudden than worthy heaved at my heart. Then the fire was behind us and we were in the deep night.

"Coralie! Coralie Rothvelt!"--my cry was an honest one--"you tempt me beyond human endurance."

She threw my hand from her. "I know I do! I'm so unworthy to do it that I wouldn't have believed I could. You thought I was Charlotte Oliver--Heavens! boy, if you should breathe the atmosphere Charlotte Oliver has to live in! But understand again, for your soul's comfort, you haven't tempted me. Go, if you must; go, take your chances; and if you're spared ever to see your dear, dear little mother--"

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