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"Why, yo' name is Smith, to be sho'! I thought you was jest a-tryin' to chaw me. Why, Major Harper alludened to you not mo'n a half-ow ago. Why, Miz Wall! oh, Miz Wall!"

Through the open windows we could see the dancers. Now and then a pair of fanning promenaders came down the veranda, but on descrying us turned back. I said I was keeping her from the dance. To which she replied, drooping her head again, that she shouldn't dance that night.

"I am to know Miss Rothvelt by finding her in a certain place." My honeyed bow implied that her being just now very much out of place was no fault of mine.

The note of patriotism righted me and I looked a third time. The one art of dress worth knowing in '63 was to slight its fashions without offending them, and this pretty gift I had marked all day in the Harpers. But never have I seen it half so successful as in the veiled horsewoman illumined by the side-lights of those burning fence-rails. The white apparition at the veranda's edge gleamed in my mind, yet swiftly faded out, and a new fascination, more sudden than worthy heaved at my heart. Then the fire was behind us and we were in the deep night.

She laughed under her breath as if at hide-and-seek. Then we galloped, then trotted again, galloped, walked and trotted again. Two miles, three, four, we reckoned off, and slowed to a walk to come out cautiously upon the union Church and Fayette road. A sound brought us to a halt. From the right, out on the main road, it came; it was made by the wheels of a loaded wagon. I leaned sidewise until her hat-brim was over me and whispered "Yankee foragers;" but as I drew my revolver we heard voices, I breathed a sigh of relief, and with her locks touching mine we chuckled to each other in the dark. The passers were slaves escaping to the Federal camp.

"Sa-ay! I'll wrastle you fo' them-ah clo'es."

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