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"Good-bye, Smith." I have never liked my last name, but at that moment the boys contrived to put a kindness of tone into it which made it

"I'm Miss Coralie Rothvelt," she added, and then how she sparkled in the dark as she said, "I see you remember me."

"I haven't been ordered to tell any one where I'm going."

She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

I sat on the edge of the bed, in the moonlight, wishing I knew what their way was. I considered my small stock of facts. The one that appalled me most was the inward guilt which I brought with me to this ordeal. I wanted to say my childhood prayers and I could not. For I could not repent; at least the emotion of repentance would not come. Moreover, every now and then there leapt across this blackness of guilt a forked lightning of fright, as I realized that I could no more plan than I could pray. No doubt Coralie Rothvelt, by this time in Fayette, was telling some Federal commander that a certain Confederate courier, now asleep at the house of Lucius Oliver, had let slip to her the fact that his despatches were written to be captured, and that, read with that knowledge, they would be of guiding value. What mine host himself might have in view for me I could not guess, but most likely those three rapscallions down at the quarters were already plotting my murder. So now for a counterplot--alas! the counterplot would not unfold for me!

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