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"Why, yo' name is Smith, to be sho'! I thought you was jest a-tryin' to chaw me. Why, Major Harper alludened to you not mo'n a half-ow ago. Why, Miz Wall! oh, Miz Wall!"

My eyes rested in Camille's and hers in mine. A musical license gave us the courage. At the last note our gaze did not sink but took on more glow, while out of the forest behind us a distant echo answered the last measure of the strain. Then our eyes slowly fell; and however it may have seemed to her, to me it was as if the vanished strains were not only or chiefly of bugle and echo, but as though our two hearts had called and answered in that melodious unison.

"Is this the conservatory?" playfully whispered Miss Rothvelt; and if a hot, damp air, motionless, and heavy with the sleeping breath of countless growths could make it so, a conservatory it was. Every slightest turn had to be alertly chosen, and the tangle of branches and vines made going by the stars nearly impossible. The undergrowth crowded us into single file. We scarcely exchanged another word until our horses came abreast in the creek and stopped to drink. Conditions beyond were much the same until near the end of our détour, when my horse swerved abruptly and the buzz of a rattlesnake sounded almost under foot. The mare swerved, too, and hurried forward to my horse's side.

She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

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