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I snatched the document from my bosom, into which I had thrust it to seize the General's hand "Oh, Gholson!" I said, in deep-toned grief, as I looked up from the superscription, "is that honest!"

In the edge of the woods at the rear of this enclosure I found the road that led into Cole's Creek bottom, and there turned and waited. A corner of the cottage was still in view among its cedars and china-trees. In an intervening melon-patch blinked the yellow lamps of countless fireflies. And now there came the ghost of a sound from beyond the patch, then a glimpse of drapery, and I beheld again the subject of my thoughts. Such thoughts! Ah! why had I neither modesty, wit nor charity enough to see that yonder came a woman whose heart beat only more strongly than the hearts of all the common run of us, with impulses both kind and high, although society, by the pure defects of its awkward machinery, had incurably mutilated her fate; a woman wrestling with a deep-founded love that, held by her at arm's length, yielded only humiliations and by its torments kept her half ripe for any sudden treason even against that love itself.

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

It was the envelope which had contained Coralie Rothvelt's pass. Its four flaps were spread open, and on the inside was scrawled in a large black writing the following:

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