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There was a hush of attention among them as the lieutenant and I saluted. His left hand was gone at the wrist and the sleeve pinned back on itself. He asked my name; I told him. In the car there was a stir of deepening interest. I inquired if he was the post-quartermaster here. He was.

"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

That piece of a word was scored out and "dangers" written in its place. The missive ended all too soon, with the statement that I was requested to call, on my way out of camp, at the side gallery of the house-- Sessions's--and let the writer and her sister and her cousin and her father and her aunt see me in my new uniform and bid me good-bye.

"You're tired!" murmured the voice beside me, and the wave rolled in again. I lifted my brow and moved one hand from hers to make room on it for my lips, but her fingers slipped away and alighted compassionately on my neck. "You must be one ache from head to foot!" she whispered.

"That was almost an adventure, itself," laughingly murmured my companion, as if adventures were what we were in search of. While she spoke we came out into a slender road and turned due north. "Did you," she went on, childishly, "ever take a snake up by the tail, in your thumb and finger, and watch him try to double on himself and bite you? I have, it's great fun; makes you feel so creepy, and yet you know you're safe!"

"Yes,"--she put away gaiety--"your orders are plain; and they're as cruel as they are plain!"

The reply came slowly. "No; her husband is quite another man; this man's wife has been dead for years. No, Charlotte Oliver lives in--hark!"

The discussion warmed and I began to catch words and meanings. Oftenest they were old Lucius Oliver's, whose bad temper made him incautious. While his son and the other two jayhawkers obstinately pressed their scheme he kept saying, sourly, "That's--not--our--wa-ay!"

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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