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"Mine is Smith," I said, and we galloped.

"It's twenty miles off; why are you not with it? What are you doing here?"

I was met in the bare unpainted hall by a dropsical man of nearly sixty, holding a dim candle, a wax-myrtle dip wrapped on a corncob. He had a retreating chin, a throat-latch beard and a roving eye; stepped with one foot and slid with the other, spoke in a dejected voice, and had very poor use of his right hand. I followed him to the rear corner chamber, the one nearest the stable, feeling that, poor as the choice was, I should rather have him for my robber and murderer than those villains down at the quarters. I detained him in conversation while I drew off my boots and threw my jacket upon the back of a chair in such a way as to let my despatch be seen. The toss was a lucky one; the document, sealed with red wax, stuck out arrogantly from an inside pocket. Then, asking lively questions the while as if to conceal a blunder and its correction, I moved quickly between him and it and slipped the missive under a pillow of the fourpost bedstead.

As I say, I slept. The door between me and the hall had a lock, but no key; another door, letting from my room to the room in front of it, had no lock, but was bolted. I slept heavily and for an hour or more. Then I was aware of something being moved--slowly--slyly--by littles--under my pillow. The pillow was in a case of new unbleached cotton. When I first lay down, the cotton had so smelt of its newness that I thought it was enough, of itself, to keep me awake. Now this odor was veiled by another; a delicate perfume; a perfume I knew, and which brought again to me all the incidents of the night, and all their woe. I looked, and there, so close to the bedside that she could see my eyes as plainly as I saw hers, stood Coralie Rothvelt. In the door that opened into the hall were two young officers, staff swells, in the handsomest Federal blue. The moonlight lay in a broad flood between them and me. It silvered Miss Rothvelt from the crown of her hat to the floor, and brightened the earnest animation of her lovely face as she daintily tiptoed backward with one hand delicately poised in the air behind her, and the other still in the last pose of withdrawing from under the pillow--empty!

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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