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"I give you my word I don't know!" called I as the distance grew between us. "And I give you my word I don't care!" he crowed back as we galloped apart. His speech was two or three words longer, but they are inappropriate at the end of a chapter, and I expurgate.

Through the shifting colonnades of pine, a hundred yards in front of us, came two horsemen in the same blue-gray of the pair beside me. "Whoever he is," I said, "that gray he's riding is his second best, or it's borrowed," for his mount, though good, was no match for him.

"Front!" I once snapped out with a ring that made the trees reply and the ladies catch their breath. "If you steal one more look back here I'll put a ball into your leg."

I was moving briskly along, making my good steed acquainted with me, testing his education, how promptly for instance, he would respond to rein-touch and to leg-pressure, when I saw, in front, coming toward me, three riders. Two of them were very genteel chaps, though a hand of each was on the lock of his carbine. The third was a woman, veiled, and clad in some dark stuff that in the starlight seemed quite black and contrasted strongly with the paleness of her horse. Her hat, in particular, fastened my attention; if that was not the same soft-brimmed Leghorn I had seen yesterday morning, at least it was its twin sister. I halted, revolver in hand, and said, as they drew rein,--"Good-evening."

"What is that?"

It was the envelope which had contained Coralie Rothvelt's pass. Its four flaps were spread open, and on the inside was scrawled in a large black writing the following:

Don't you like him? she asked, and tried to be very arch.

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