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On entering Hazlehurst I observed all about the railway-station a surprising amount of quartermaster's stores. A large part were cases of boots and shoes. Laden with such goods, a train of shabby box-cars stood facing south, its beggarly wood-burner engine sniffing and weeping, while the cork-legged conductor helped all hands wood up. Though homely, the picture was a stirring one. Up through the blue summer morning came the sun, bringing to mind the words of the dying Mirabeau, "If that is not God, at least it's his first cousin."

"No," replied Sergeant Jim, "I doubt if the most of 'em are." I turned to him and drew down my under eyelid. "Will you kindly tell me, sir, if you see any unnatural discoloration in there?"

To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence.

She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat.

Dolt that I was, I would have drawn her close, but she put me off with an outstretched arm and forbidden smile. "No!--No! this is a matter of life and death."

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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