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But, after all, fortune was merciful, and I was gone; the Major had summoned me--his brother had come. I went circuitously and alone. As I started, some fellow writhing on the grass cried, "Charlie Tol--oh, this is better than a tcharade!" and a flash of divination enlightened me. While I went I burned with shame, rage and nervous exhaustion; the name Scott Gholson had gasped in my ear was the name of her in the curtained wagon, and I cursed the day in which I had heard of Charlotte Oliver.

"Richard Thorndyke Smith! My dear boy," she cried, while the nieces gasped at each other with gestures and looks all the way between Terpsichore and Melpomene, and then the four cried in chorus, "We know your mother!"

My thanks were few and awkward, for there still hung to the missive a basting thread, and it was as warm as a nestling bird. I bent low--everybody was emotional in those days--kissed the fragrant thing, thrust it into my bosom, and blushed worse than Camille.

The morning was almost sultry. As I halted in the clear ripples of a gravelly "branch" to let my horse drink, I heard no great way off the Harpers' train shrieking at cattle on the track, and looking up I noticed just behind me an unfrequented by-road carefully masked with brush, according to a new habit of the "citizens". The next moment my horse threw up his head to listen. Then I heard hoofs and voices, and presently there came trotting through the oak bushes and around the mask of brush two horsemen unusually well mounted, clad and armed. Their very dark gray uniforms were so trim and so nearly blue that my heart came into my throat; but then I noticed they carried neither carbines nor sabres, but repeaters only, a brace to each. They splashed lightly to either side of me, and the three horses drank together.

"Oh! that-a-way."

"I--I believe it yet! You are Charlotte Oliver!"

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