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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

"Richard Thorndyke Smith! My dear boy," she cried, while the nieces gasped at each other with gestures and looks all the way between Terpsichore and Melpomene, and then the four cried in chorus, "We know your mother!"

"My dear Smith," said Miss Rothvelt, "keep your trust. But if I part here with these two kind gentlemen--"

She came without her horse, pointing eagerly at the brightness of the sky above the unrisen moon. "Diana!" she whispered, and tossed a kiss toward it. "You saw me put the mare into the stable and go into the house by the back door?"

Dolt that I was, I would have drawn her close, but she put me off with an outstretched arm and forbidden smile. "No!--No! this is a matter of life and death."

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