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"Yes, a beautiful story is a thing Ned Ferry loves with a positive passion."

"Mine is Smith," I said, and we galloped.

To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence.

Once more we were in the by-road which had brought us westward parallel with the highway. The prisoner drove. Aunt Martha sat beside him, slim, dark, black-eyed, stately, her silver-gray hair rolled high à la Pompadour. With a magnanimity rare in those bitter days she incited him to talk, first of New Orleans, where he had spent a month in camp on one of the public squares, and then of his far northern home, and of loved ones there, mother, wife and child. The nieces, too, gave a generous attention. Only I, riding beside the hind wheels, held solemnly aloof.

"I suppose that's so," laughed the officer. "I'll tell you how it was. My guard were just about to hang me for saying I thought we had a right to make soldiers of the darkies, when your friend came galloping along, saw the thing, and rushed in and cut the halter with his sword. And when they demanded to know who and what he was, he told them Durand, and that they'd hear it again, for he should report them."

"What is that?"

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