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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

If he had not said please he should have ho'd and hullo'd in vain, but at that word I turned. Before I had covered half the distance I read New Orleans! my dear, dear old New Orleans! in every line of those ladies' draperies, and at twenty-five yards I saw one noble family likeness in all four of their sweet faces. Oh, but those three maidens were fair! and I could name each by her name at a glance: Camille, Cécile, Estelle; eighteen, nineteen, twenty!

"Richard Thorndyke Smith! My dear boy," she cried, while the nieces gasped at each other with gestures and looks all the way between Terpsichore and Melpomene, and then the four cried in chorus, "We know your mother!"

"Borrowed!" echoed the sergeant. "If he doesn't own that mare no man does."

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"You sa-ay 'Whah is it?'--ow batt'ry"--he champed noisily--"I dunno. Does you? Whah is it?"

Not because of this speech, but of a soft rubbing sound on the window-sill behind me, my heart turned cold. Yet there I saw a most welcome sight. Against the outer edge of the sill an unseen hand was moving a forked stick to and fro. The tip of one of its tines was slit, in the slit was a white paper, and in the fork hung the bridle of my horse. I glided to the window. But there bethinking me how many a man had put his head out at just such a place and never got it back, I made a long sidewise reach, secured the paper, and read it.

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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