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As I passed up the road through the midst of our nearly tentless camp I met a leather-curtained spring-wagon to which were attached a pair of little striped-legged mules driven by an old negro. Behind him, among the curtains, sat a lady and her black maid. The mistress was of strikingly graceful figure, in a most tasteful gown and broad Leghorn hat. Her small hands were daintily gloved. The mules stopped, and through her light veil I saw that she was handsome. Her eyes, full of thought, were blue, and yet were so spirited they might as well have been black, as her hair was. She, or fate for her, had crowded thirty years of life into twenty-five of time.

"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

I almost leaped from the ground in consternation. My whole frame throbbed, my mouth fell open, my tongue was tied.

"Yes," I responded, "and without even waiting for Diana."

I failed to catch her reply. She spoke in a tone of pain and sunk her face in her hand. "Head ache?" I asked. "No." She straightened, and from under her coquettish hat bent upon me such a look as I had never seen. In her eyes, in her tightened lips, and in the lift of her head, was a whole history of hope, pride, pain, resolve, strife, bafflement and defiance. She could not have chosen to betray so much; she must have counted too fully on the shade of her hat-brim. The beautiful frown relaxed into a smile. "No," she repeated, "only an aching conscience. Ever have one?"

"I haven't been ordered to tell any one where I'm going."

"I--I believe it yet! You are Charlotte Oliver!"

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