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"Oh, how innocent you always are! Look here! just tell me this; was it the Major's brother brought it, or was it Ned Ferry?"

"You'd best not know; I want you to seem to have stumbled upon the place. You can't miss it; there's no other house within two miles of it. Good-bye, my lad;"--he gave me his hand;--"good luck to you."

"One too modest," I murmured, "to know her own portrait." I clutched the braid emotionally and let it go intending to retake it; but she dropped it behind her and said I was too imaginative to be safe.

"Pardon me, I know better. This is his scheme." She laid her free hand on our two. "Tell me you will not go to that house!"

At the edge of the wood, where we had parted, I tied my horse, and crept along the moonlight shadows of the melon-patch to the stable. The door was ajar. In the interior gloom I passed my hands over the necks and heads of what I recognized to be the pair of small mules I had seen at Gallatin. Near a third stall were pegs for saddle and bridle, but they were empty. So was the stall; the mare was gone.

"Now it must be three." Miss Rothvelt's writing lay in my bosom beside my despatch. At each half-hour I re-read it. At three-and-a-half I happened to glance at the original superscription. A thought flashed upon me. I stared at her name, and began to mark off its letters one by one and to arrange them in a new order. I took C from Coralie and h from Rothvelt; after them I wrote a from Coralie and r from Rothvelt, l and o from Coralie and two t's and an e from Rothvelt, and behold, Charlotte! while the remaining letters gave me Oliver.

"Good-morning," I murmured.

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