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I caught my breath in rapture and rode away. She was there yet when I looked back--once--and again--and again. And when I looked a last time still she had not moved. Oh, Camille, Camille! to this day I see you standing there in pink-edged white, pure, silent, motionless, a summer-evening cloud; while I, my body clad in its unstained--only because unused--new uniform, and my soul tricked out in the foolhardiness and vanity of a boy's innocence, rode forth into the night and into the talons of overmastering temptation.

"Oh! that-a-way."

She came without her horse, pointing eagerly at the brightness of the sky above the unrisen moon. "Diana!" she whispered, and tossed a kiss toward it. "You saw me put the mare into the stable and go into the house by the back door?"

I stepped back, heaving. "Who and what are you? Who and what are you?"

"This-yeh pla-ace?" The rustic dragged his words lazily, chewed tobacco with his whole face, and looked my uniform over from cap to spur. "They say this-yeh place belong to a man which his name Lu-ucius Ol-i-veh."

Not because of this speech, but of a soft rubbing sound on the window-sill behind me, my heart turned cold. Yet there I saw a most welcome sight. Against the outer edge of the sill an unseen hand was moving a forked stick to and fro. The tip of one of its tines was slit, in the slit was a white paper, and in the fork hung the bridle of my horse. I glided to the window. But there bethinking me how many a man had put his head out at just such a place and never got it back, I made a long sidewise reach, secured the paper, and read it.

I put on an offended esteem. "My dear sir, you've no call to take offence at me. I'm waiting because my business is too--well, if I must explain, it's--it's too important to be risked except by good safe daylight; that's all."

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