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I thought I did until I glanced at the superscription: Miss Coralie Rothvelt.

"It's twenty miles off; why are you not with it? What are you doing here?"

The dwelling was entirely dark. I came close in the bright moonlight and hallooed. At my second hail the door came a small way open, and after a brief parley a man's voice bade me put up my horse and come in. The stable was a few steps to the right and rear. Returning, I took care to notice the form of the house: a hall from front to rear; one front and one rear room on each side of it; above the whole a low attic, probably occupied by the slave housemaids.

A fourth turn and no one yet! A fifth--more abrupt than the others--and there--here--yonder now behind--was the path I had feared, but no one was in it, and the next instant the bridge flashed into view. With a great clatter I burst upon it, reached the middle, glanced back, and dropped complacently into a trot. Tame ending if--but as I looked forward again, what did I see? A mounted man. At the other end of the bridge, in the shade of overhanging trees, he moved into view, and well I knew the neat fit of that butternut homespun. He flourished a revolver above his head and in a drunken voice bade me halt.

The wretch had lifted himself to his feet by a stirrup. Then, giving out, he had sunk prone, and now, still torturing the air with his horrid cries, was crawling for his rifle. Oliver saw I had a new inspiration. All the drunkenness left his eyes and they became the eyes of a snake, but too quickly for him to guess my purpose I turned my weapon from his face and fired. His revolver flew from his bleeding hand, a stream of curses started from his lips, and as I thrust my pistol into his face again and snatched his bridle he screamed to the crawling woodman "Shoot! shoot! Kill one or the other of us! Oh! shoot! shoot!"

"How, then, did she know?"

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