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My silence implied that I knew it, though I did not feel any brighter, happier or cleaner.

I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

That piece of a word was scored out and "dangers" written in its place. The missive ended all too soon, with the statement that I was requested to call, on my way out of camp, at the side gallery of the house-- Sessions's--and let the writer and her sister and her cousin and her father and her aunt see me in my new uniform and bid me good-bye.

"General Austin believes it is. You're being used to bait a trap, Richard."

He lighted up with happy relief. "No, you need not make it. And you need not turn so pale." Whereat I turned red. "She saw the despatch was a trap for the Yankees, and used it so, you think? Ah, yes, Smith, I see it all, now; she pumped you dry."

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