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"Wish what?"

I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

But, after all, fortune was merciful, and I was gone; the Major had summoned me--his brother had come. I went circuitously and alone. As I started, some fellow writhing on the grass cried, "Charlie Tol--oh, this is better than a tcharade!" and a flash of divination enlightened me. While I went I burned with shame, rage and nervous exhaustion; the name Scott Gholson had gasped in my ear was the name of her in the curtained wagon, and I cursed the day in which I had heard of Charlotte Oliver.

"I knew it! I knew it was her! Ah, you rogue, you know it was her!"

"Yes, madam, between Melpomene and Terpsichore."

I turned upon her choking with anger, but her melting beauty rendered me helpless. Black woods were on our left. "Shall we turn in here?" I asked.

"And was care for me your only motive in--"

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