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The morning was almost sultry. As I halted in the clear ripples of a gravelly "branch" to let my horse drink, I heard no great way off the Harpers' train shrieking at cattle on the track, and looking up I noticed just behind me an unfrequented by-road carefully masked with brush, according to a new habit of the "citizens". The next moment my horse threw up his head to listen. Then I heard hoofs and voices, and presently there came trotting through the oak bushes and around the mask of brush two horsemen unusually well mounted, clad and armed. Their very dark gray uniforms were so trim and so nearly blue that my heart came into my throat; but then I noticed they carried neither carbines nor sabres, but repeaters only, a brace to each. They splashed lightly to either side of me, and the three horses drank together.

"I'm most afraid," he said, abstractedly, as he read my detail, which Gholson brought in. "Here,"--he handed it to me--"and here, here's the despatch too."

"One too modest," I murmured, "to know her own portrait." I clutched the braid emotionally and let it go intending to retake it; but she dropped it behind her and said I was too imaginative to be safe.

I averted my face and answered with a nod.

She became frigid. "Do you know who and what Charlotte Oliver is?--No? Well, to begin with, she's a married woman--but pshaw! you believe nothing till it's proved. If I tell you who and what I am will you do what I've asked you; will you promise not to stop at Lucius Oliver's house?" She softly reached for my hand and pressed and stroked it. "Don't stop there, dear. Oh, say you will not!"

He spurted a pint to reply, "Fishe's batt'ry."

"And at other times--?"

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