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"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

"I am," was his reply, and my heart leaped for joy. We hurried away. My captive was the most daring union scout between Vicksburg and New Orleans; these very Harpers knew that. The thing unknown to us was that already his fate was entangled with Ned Ferry's and Charlotte Oliver's, as yet more it would be, with theirs and ours, in days close at hand.

Once more we were in the by-road which had brought us westward parallel with the highway. The prisoner drove. Aunt Martha sat beside him, slim, dark, black-eyed, stately, her silver-gray hair rolled high à la Pompadour. With a magnanimity rare in those bitter days she incited him to talk, first of New Orleans, where he had spent a month in camp on one of the public squares, and then of his far northern home, and of loved ones there, mother, wife and child. The nieces, too, gave a generous attention. Only I, riding beside the hind wheels, held solemnly aloof.

Yet great is precept. Precept is a well. Up from its far depths by slow, humble, constant process you may draw, in a slender silver thread, and store for sudden use, the pure waters of character.

"Well, I reckon I'll stop all night." I began to move on. His eyes followed greedily.

In a stretch of timber where we broke ranks for a short rest, unbitting but not unsaddling, a lot of fellows pressed me to tell them about the boat on the river. "You heard what was in it, didn't you?" asked one nearly as young as I.

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