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"Who--o?" It was not one who asked; the whos came like shrapnel; and when, not knowing what else to do, I smiled as one dying, there went up a wail of mirth that froze my blood and then heated it to a fever. The company howled. They rolled over one another, crying, "Charlie Toliver!--Charlie Toliver!--Oh, Lord, where's Scott Gholson!--Charlie Toliver!"--and leaped up and huddled down and moaned and rolled and rose and looked for me.

"Ain't you Major Harper's quartermaster-sergeant?" he asked.

Whereat Cécile replied, "Ah--well! we cou'n' like you the leaz bit any-'ow."

"But, o-oh! sir!" exclaimed the trio, when Miss Harper waved them to forbear. There was yet some daylight left as we trundled into a broad highroad and turned northward. We passed a picket guard and then a whole regiment of cavalry going into camp. They scrambled to the sides of the road and stormed us with questions, chaffing us cruelly when I remained silent. "Lawd! look a' this-yeh Yank a-bringin' in ow desertehs!" "Hey, you big Yank, you jest let that po' little conscrip' go!"

"The horse may have to save you," drawled the Arkansan.

She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat.

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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