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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

"Yes, madam, between Melpomene and Terpsichore."

"Why, I can read my safety in your face. You can't read anything in mine; you're afraid to look."

I failed to catch her reply. She spoke in a tone of pain and sunk her face in her hand. "Head ache?" I asked. "No." She straightened, and from under her coquettish hat bent upon me such a look as I had never seen. In her eyes, in her tightened lips, and in the lift of her head, was a whole history of hope, pride, pain, resolve, strife, bafflement and defiance. She could not have chosen to betray so much; she must have counted too fully on the shade of her hat-brim. The beautiful frown relaxed into a smile. "No," she repeated, "only an aching conscience. Ever have one?"

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