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Once more we were in the by-road which had brought us westward parallel with the highway. The prisoner drove. Aunt Martha sat beside him, slim, dark, black-eyed, stately, her silver-gray hair rolled high à la Pompadour. With a magnanimity rare in those bitter days she incited him to talk, first of New Orleans, where he had spent a month in camp on one of the public squares, and then of his far northern home, and of loved ones there, mother, wife and child. The nieces, too, gave a generous attention. Only I, riding beside the hind wheels, held solemnly aloof.

"What do you see?" His frown scared me to my finger-tips.

She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat.

I was in the sweetest consternation. With the end of her braid once more in my fingers I made her promise to keep the dark secret, and so recited them.

"Charlotte Oliver!"

He waited on the threshold with his dropsical back to me for my last word, and then, still in the same attitude, droned, "O-oh, he's dead. And anyhow," he finished out of sight in the hall, "that's not our way."

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