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"I suppose we might call him a romanticist," said I, "might we not?"

"Doesn't a good story revive the poetry of our actual lives?" He wiped the rim of his cap with a handkerchief of yellow silk enriched at one corner with needlework.

To regain the highroad we had turned into a northerly fork, and were in as lovely a spot as we had seen all day. Before us and close on our right were the dense woods of magnolia, water-oak, tupelo and a hundred other affluent things that towered and spread or clambered and hung. On the left lay the old field, tawny with bending sedge and teeming with the yellow rays of the sun's last hour. This field we overlooked through a fence-row of persimmon and wild plum. Among these bushes, half fallen into a rain-gully, a catalpa, of belated bloom, was loaded with blossoms and bees, and I was directing Camille's glance to it when the shots came. Another outcry or two followed, and then a weird silence.

The aunt and her nieces were standing in the carry-all, she majestic, they laughing and weeping in the one act. I waved them into their seats.

We came as close to them as was wise, and had to walk our horses. I could discern Miss Rothvelt's features once more, and felt a truer deference than I had yet given her. Near the blacksmith's shop, in the dusk of some shade-trees, she once more touched my shoulder. I turned resentfully to bid her not do it, but her shadowy gaze stopped me.

"Is it so dangerous?"

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

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