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Even in the character of the goods there was eloquence, and not a drollery in the scene, not even an ugliness, but was touched, was rife, with the woe of a war whose burning walls were falling in on us. And outward, too, upon others; a few up-ended cottonbales leaned against each other ragged and idle, while women and babes starved for want of them in far-away Lancaster.

Through the shifting colonnades of pine, a hundred yards in front of us, came two horsemen in the same blue-gray of the pair beside me. "Whoever he is," I said, "that gray he's riding is his second best, or it's borrowed," for his mount, though good, was no match for him.

I had not the faintest doubt she was lying. What was I to her? The times were fearfully out of joint; women as well as men were taking war's licenses, and with a boy's unmerciful directness I sprang to the conclusion that here was an adventuress. Yet I had some better thoughts too. While I felt a moral tipsiness going into all my veins, I asked myself if it was not mainly due to my own inability to rise in full manliness to a most exceptional situation. Her jaunty method of confronting it, was I not failing to regard that with due magnanimity? Was this the truth, or after all ought I really to see that at every turn of her speech, by coy bendings of the head, by the dark seductions of dim half-captive locks about her oval temples, and by many an indescribable swaying of the form and of the voice, I was being--to speak it brutally--challenged? Even in the poetic obscurity of the night I lost all steadiness of eye as I pertly said--

It has happened, however, that a man's own armor has been the death of him. So the moral isolation of a young prig of good red blood who is laudably trying to pump his conduct higher than his character--for that's the way he gets his character higher--has its own peculiar dangers. Take this example: that he does not dream any one will, or can, in mere frivolity, coquette, dally, play mud-pies, with a passion the sacredest in subjection, the shamefulest in mutiny, and the deepest and most perilous to tamper with, in our nature. As hotly alive in the nethermost cavern of his heart as in that of the vilest rogue there is a kennel of hounds to which one word of sophistry is as the call to the chase, and such a word I believed my companion had knowingly spoken. I was gone as wanton-tipsy as any low-flung fool, and actually fancied myself invited to be valiant by this transparent embodiment of passion whose outburst of amorous rebellion had been uttered not because I was there, but only in pure recklessness of my presence. Of course I ought to have seen that this was a soul only over-rich in woman's love; mettlesome, aspiring, but untrained to renunciation; consciously superior in mind and soul to the throng about her, and caught in some hideous gin of iron-bound--convention-bound--or even law-bound--foul play. But I was so besotted as to suggest a base analogy between us and those two sinking stars.

"Is this the conservatory?" playfully whispered Miss Rothvelt; and if a hot, damp air, motionless, and heavy with the sleeping breath of countless growths could make it so, a conservatory it was. Every slightest turn had to be alertly chosen, and the tangle of branches and vines made going by the stars nearly impossible. The undergrowth crowded us into single file. We scarcely exchanged another word until our horses came abreast in the creek and stopped to drink. Conditions beyond were much the same until near the end of our détour, when my horse swerved abruptly and the buzz of a rattlesnake sounded almost under foot. The mare swerved, too, and hurried forward to my horse's side.

"I--I believe it yet! You are Charlotte Oliver!"

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