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"Nor no woman?" I asked, and again across the back of my neck my two companions gazed at each other.

"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

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That piece of a word was scored out and "dangers" written in its place. The missive ended all too soon, with the statement that I was requested to call, on my way out of camp, at the side gallery of the house-- Sessions's--and let the writer and her sister and her cousin and her father and her aunt see me in my new uniform and bid me good-bye.

"Yes," I replied, "in that direction."

At the edge of the wood, where we had parted, I tied my horse, and crept along the moonlight shadows of the melon-patch to the stable. The door was ajar. In the interior gloom I passed my hands over the necks and heads of what I recognized to be the pair of small mules I had seen at Gallatin. Near a third stall were pegs for saddle and bridle, but they were empty. So was the stall; the mare was gone.

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