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Midway of this space I met Scott Gholson, clerk to the Adjutant-general. It was Gholson who had first spoken of me for this detail. He was an East Louisianian, of Tangipahoa; aged maybe twenty-six, but in effect older, having from birth eaten only ill-cooked food, and looking it; profoundly unconscious of any shortcoming in his education, which he had got from a small church-pecked college of the pelican sort that feed it raw from their own bosoms. One of his smallest deficiencies was that he had never seen as much art as there is in one handsome dinner-plate. Now, here he was, riding forth to learn for himself, privately, he said, why I did not appear. Yet he halted without turning, and seemed to wish he had not found me.

I bent low, ran a few steps, cocking my revolver as I went. Then I rose, peeped, bent again, ran, rose, peeped, waited a few seconds behind the catalpa, and without rising peeped once more. Here he came! He was an officer. His uniform was torn and one whole side of him showed he had at some earlier hour ridden through a hedge and fallen from his horse. On he came! nearer--nearer--oh, what a giant! Quickly, warily, he crouched under the fence where it hung low across the gully, and half through it in that huddled posture he found my revolver between his astonished eyes. I did not yell at him, for I did not want the men he had escaped from to come and take him from me; yet when I said, "Halt, or you die!" the four ladies heard me much too plainly. For, frankly, I said more and worse. I felt my slenderness, my beardless youth, my rags, and his daring, and to offset them all in a bunch, I--I cursed him. I let go only one big damn and I've never spoken one since, though I've done many a worse thing, of course. I protest it was my modesty prompted it then.

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

It was the envelope which had contained Coralie Rothvelt's pass. Its four flaps were spread open, and on the inside was scrawled in a large black writing the following:

About mid-afternoon I awoke from deep sleep on a bed of sand in the roasting shade of a cottonwood jungle. A corporal was shaking me and whispering "Make no noise; mount and fall in."

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