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"No-o!" he said, as if nobody but a gaping idiot would expect anybody not a gaping idiot to notice a leather-curtained spring-wagon. "No-o! did you notice the brown horse that man was riding who just now passed you as you turned off the road?"

Even in the character of the goods there was eloquence, and not a drollery in the scene, not even an ugliness, but was touched, was rife, with the woe of a war whose burning walls were falling in on us. And outward, too, upon others; a few up-ended cottonbales leaned against each other ragged and idle, while women and babes starved for want of them in far-away Lancaster.

"Don't you know?" I asked.

"Coralie! Coralie Rothvelt!"--my cry was an honest one--"you tempt me beyond human endurance."

"Only to take care of you whenever I had the chance. Go, now, you must!"

As I say, I slept. The door between me and the hall had a lock, but no key; another door, letting from my room to the room in front of it, had no lock, but was bolted. I slept heavily and for an hour or more. Then I was aware of something being moved--slowly--slyly--by littles--under my pillow. The pillow was in a case of new unbleached cotton. When I first lay down, the cotton had so smelt of its newness that I thought it was enough, of itself, to keep me awake. Now this odor was veiled by another; a delicate perfume; a perfume I knew, and which brought again to me all the incidents of the night, and all their woe. I looked, and there, so close to the bedside that she could see my eyes as plainly as I saw hers, stood Coralie Rothvelt. In the door that opened into the hall were two young officers, staff swells, in the handsomest Federal blue. The moonlight lay in a broad flood between them and me. It silvered Miss Rothvelt from the crown of her hat to the floor, and brightened the earnest animation of her lovely face as she daintily tiptoed backward with one hand delicately poised in the air behind her, and the other still in the last pose of withdrawing from under the pillow--empty!

But why, then, this ardent zeal to save the necks of the two traitors "whose roof this night--" etc.? Manifestly she was moved by passion, not duty; love drove her on; but surely not love for them. "No," I guessed in a reverent whisper, "but love for Ned Ferry." It must have been through grace of some of her nobility and his, caught in my heart even before I was quite sure of it in theirs, that I sat and framed the following theory: Ned Ferry, loving Charlotte Oliver, yet coerced by his sense of a soldier's duty, had put passion's dictates wholly aside and had set about to bring these murderers to justice; doing this though he knew that she could never with honor or happiness to either of them become the wife of a man who had made her a widow, while she, aware of his love, a love so true that he would not breathe it to her while this hideous marriage held her, had ridden perilously in the dead of night to circumvent his plans if, with honor to both of them, it could be done.

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