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"Has he a taste for fiction?" I asked, with a depreciative smirk.

I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

"Yes, madam, between Melpomene and Terpsichore."

"Easier to get away, you think?" I asked, with a worse frown than ever, as he stepped into the carry-all and took the lines.

"Smith, if you interrupt me again, sir, you'll find the road back to your regiment. Opposite that blacksmith's shop you'll see a white cottage. There's a young lady stopping there to-night, a stranger, a traveller. The old lady who lives there has taken her in at my request. See that the young lady gets this envelope. It's no great matter, merely a pass through our lines; but it's your ostensible business till you get there; understand?"

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