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"Richard Thorndyke Smith! My dear boy," she cried, while the nieces gasped at each other with gestures and looks all the way between Terpsichore and Melpomene, and then the four cried in chorus, "We know your mother!"

Old Dismukes rose. "Good-night. Shall I send this boy that Yankee's horse?"

"Don't interrupt me, Smith. Yes, Clifton. You're not to reach there to-night--"

Yet great is precept. Precept is a well. Up from its far depths by slow, humble, constant process you may draw, in a slender silver thread, and store for sudden use, the pure waters of character.

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

I stood equally amazed and alert. The voices still growled in the next room, and my horse's bridle still hung before the window. I peered out; there stood the priceless beast. I came a sly step nearer, and lo! in his shadow, flattened against the house, face outward, was Coralie Rothvelt comically holding the forked stick at a present-arms. Throbbing with a grateful, craving allegiance, I seized the rein. Then I bent low out the window and with my free hand touched her face as it turned upward into a beam of moonlight. She pressed my fingers to her lips, and then let me draw her hand as far as it could come and cover it with kisses. Then she drew me down and whispered "You'll do what I've asked?"

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