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"Well, good-bye, fellows."

"No," I rejoined, "the first step would be the last."

I was met in the bare unpainted hall by a dropsical man of nearly sixty, holding a dim candle, a wax-myrtle dip wrapped on a corncob. He had a retreating chin, a throat-latch beard and a roving eye; stepped with one foot and slid with the other, spoke in a dejected voice, and had very poor use of his right hand. I followed him to the rear corner chamber, the one nearest the stable, feeling that, poor as the choice was, I should rather have him for my robber and murderer than those villains down at the quarters. I detained him in conversation while I drew off my boots and threw my jacket upon the back of a chair in such a way as to let my despatch be seen. The toss was a lucky one; the document, sealed with red wax, stuck out arrogantly from an inside pocket. Then, asking lively questions the while as if to conceal a blunder and its correction, I moved quickly between him and it and slipped the missive under a pillow of the fourpost bedstead.

The discussion warmed and I began to catch words and meanings. Oftenest they were old Lucius Oliver's, whose bad temper made him incautious. While his son and the other two jayhawkers obstinately pressed their scheme he kept saying, sourly, "That's--not--our--wa-ay!"

"Now it must be three." Miss Rothvelt's writing lay in my bosom beside my despatch. At each half-hour I re-read it. At three-and-a-half I happened to glance at the original superscription. A thought flashed upon me. I stared at her name, and began to mark off its letters one by one and to arrange them in a new order. I took C from Coralie and h from Rothvelt; after them I wrote a from Coralie and r from Rothvelt, l and o from Coralie and two t's and an e from Rothvelt, and behold, Charlotte! while the remaining letters gave me Oliver.

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