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It was being made. The air was in anguish with the din of tree-felling and log-chopping, of stamping, neighing, braying, whooping, guffawing, and singing--all the daybreak charivari beloved of a camp of Confederate "critter companies." In the midst of it a chum and I sat close together on a log near the mess fire, and as the other boys of the mess lifted their heads from their saddle-tree pillows, from two of them at once came a slow, disdainful acceptance of the final lot of the wicked, made unsolicited on discovering that this chum and I had sat there talking together all night. I had the day before been wheedled into letting myself be detailed to be a quartermaster's clerk, and this comrade and I were never to snuggle under the one blanket again. The thought forbade slumber.

"Are you not a New Orleans boy?" she asked as I lifted my képi and drew rein.

"Good-bye, New Orleans soldier-boy," she said, gaily, and as I raised my cap she gave herself a fetching air and added, "I'll wager I know your name."

"Good-day, sir," she said, with forced severity, but as I smiled apologetically and moved my rein, she broke down under new temptation and, as the wagon moved away, twittered after me unseen,--"Good-bye, Mr. Smith."

Even in the character of the goods there was eloquence, and not a drollery in the scene, not even an ugliness, but was touched, was rife, with the woe of a war whose burning walls were falling in on us. And outward, too, upon others; a few up-ended cottonbales leaned against each other ragged and idle, while women and babes starved for want of them in far-away Lancaster.

"Ain't you Major Harper's quartermaster-sergeant?" he asked.

The dwelling was entirely dark. I came close in the bright moonlight and hallooed. At my second hail the door came a small way open, and after a brief parley a man's voice bade me put up my horse and come in. The stable was a few steps to the right and rear. Returning, I took care to notice the form of the house: a hall from front to rear; one front and one rear room on each side of it; above the whole a low attic, probably occupied by the slave housemaids.

"Now it must be three." Miss Rothvelt's writing lay in my bosom beside my despatch. At each half-hour I re-read it. At three-and-a-half I happened to glance at the original superscription. A thought flashed upon me. I stared at her name, and began to mark off its letters one by one and to arrange them in a new order. I took C from Coralie and h from Rothvelt; after them I wrote a from Coralie and r from Rothvelt, l and o from Coralie and two t's and an e from Rothvelt, and behold, Charlotte! while the remaining letters gave me Oliver.

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