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"Doesn't a good story revive the poetry of our actual lives?" He wiped the rim of his cap with a handkerchief of yellow silk enriched at one corner with needlework.

"I am," was his reply, and my heart leaped for joy. We hurried away. My captive was the most daring union scout between Vicksburg and New Orleans; these very Harpers knew that. The thing unknown to us was that already his fate was entangled with Ned Ferry's and Charlotte Oliver's, as yet more it would be, with theirs and ours, in days close at hand.

IT was well that I was on the Federal captain's horse. He knew this sort of work and could do it quicker and more quietly than mine. Mine would have whinnied for the camp and watched for short cuts to it. Another advantage was the moon, and the hour was hardly beyond midnight when I saw a light in a window and heard the scraping of a fiddle. At the edge of a clearing enclosed by a worm fence I came to a row of slave-cabins. Mongrel dogs barked through the fence, and in one angle of it a young white man with long straight hair showed himself so abruptly as to startle my horse. Only the one cabin was lighted, and thence came the rhythmic shuffle of bare-footed dancers while the fiddle played "I lay ten dollars down." There were three couples on the floor, and I saw--for the excited dogs had pushed the door open--that two of the men were white, though but one wore shoes. On him the light fell revealingly as he and the yellow girl before him passed each other in the dance and faced again. He was decidedly blond. The other man, though silhouetted against the glare of burning pine-knots, I knew to be white by the flapping of his lank locks about his cheeks as he lent his eyes to the improvisation of his steps. His partner was a young black girl. I burned with scorn, and doubtless showed it, although I only asked whose plantation this was.

"No, I think you said it;--sounds like you."

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