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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

At the door the Colonel gave me a last look. "Good-night, Legs."

"Oh, I don't doubt you have; though I didn't know but it might be Charlie Toliver or something."

"Is it so dangerous?"

The dwelling was entirely dark. I came close in the bright moonlight and hallooed. At my second hail the door came a small way open, and after a brief parley a man's voice bade me put up my horse and come in. The stable was a few steps to the right and rear. Returning, I took care to notice the form of the house: a hall from front to rear; one front and one rear room on each side of it; above the whole a low attic, probably occupied by the slave housemaids.

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